He has recently worked on new recordings with MGMT, Neil Finn, The Cribs, OK Go, Tame Impala, Lord Huron, Baroness, Spoon, and Interpol.Īs a musician, Fridmann was the bassist and a founding member of Mercury Rev. Other bands he has worked with include Weezer, Saxon Shore, Neon Indian, Wolf Gang, Ammonia, Ed Harcourt, Sparklehorse, Creeper Lagoon, Café Tacuba, Creaming Jesus, Elf Power, Mogwai, Thursday, Longwave, Mass of the Fermenting Dregs, The Delgados, Low, Phantom Planet, Gemma Hayes, Goldrush, Tapes 'n Tapes, Hopewell, Black Moth Super Rainbow, Number Girl, Jed Davis, Zazen Boys, Sleater-Kinney and Clap Your Hands Say Yeah. Best of all though, it’s a real USA-made Friedman you can afford, offering most of the fun of a Brown Eye Deluxe at less than a tenth of the price.From 1990 onwards he co-produced most releases by Mercury Rev and The Flaming Lips. "While the BE-Mini can be a little hissy when used for quiet recording, you can’t hear it with the amp plugged into speakers and turned up loud, which is what everyone who buys it will want to do. MusicRadar verdict: Presented in an affordable solid-state mini-head, the magic rock tone of Dave Friedman's BE overdrive has never been more accessible.
It’s for that Brown Eye sound, a genuine US-made take on hot-rodded British guitar amplification that is as thrilling in 2021 as it ever was. Its size and form make it eminently practical, and while the lack of a clean channel might limit its application, we all know why we’re seeking this one out. But just because it’s fun doesn’t mean we shouldn’t take this amp serious. It’s so much fun, and perhaps that is exactly what Friedman was going for here because the asking price will not wipe the smile off your face.
The pinch harmonics will come thick and fast, and there there’s more than enough gain here for mid-80s steel, NWOBHM, and general-purpose shred hi-jinks. Auto Chord and Smart Jam are incredible practice and learning tools, and a lot of fun, too.Īs you adjust the Cut switch, more saturated 80s sounds come online, perfect for Judas Priest riffing and running through your Blizzard Of Ozz tab book. The tones are great, and the smart tech is indeed smart. The Positive Grid Spark 40 might just be the ultimate at-home amp. Its low-noise performance and switchable power output make it a solid option for recording. The Mighty-15TH has no right to offer so many great tones at such a low price. Stick a Telecaster through it, dial in just a little grit, keep the Cut switch low, turn the amp up it will work well for those Led Zeppelin I tones. It responds equally well with single-coils or humbuckers.
There’s lots of juicy harmonic content when you jack up the gain, and because it is solid-state, these musically inspiring tones are available without impractical levels of volume. What’s particularly pleasing about the BE-Mini is its response there’s something genuinely tube-like in how it’ll clean up when you roll the volume back on your guitar, or break-up more as you dig in with a pick.Īs for tone, well, the BE/Brown Eye overdrive sound is late 70s and early 80s British amplifiers, perhaps with an under-the-hood tweak. Just as long as your drummer isn’t a complete animal you should be able to be heard over them in practice sessions. Powered by a 24V DC supply, the BE-Mini puts a respectable level of volume out of a speaker. (Image credit: Friedman Amplification) Friedman BE-Mini Head: Performance and verdict
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